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John Maddison Morton (3 January 1811 – 19 December 1891) was an English playwright who specialised in one-act farces. His most famous farce was ''Box and Cox'' (1847). He also wrote comic dramas, pantomimes and other theatrical pieces. ==Biography== Morton was born in Pangbourne. His father, Thomas Morton, was also a well-known dramatist. Morton's first farce, ''My First Fit of the Gout'', was produced in London in 1835. He was the author of several other one-act farces, including ''My Husband's Ghost'' (1836), ''Chaos Is Come Again'' (1838), ''A Thumping Legacy'' (1843), ''Lend Me Five Shillings'' (1846), ''The Irish Tiger'' (1846), ''Done on Both Sides'' (1847), ''Who's My Husband?'' (1847), ''Going to the Derby'' (1848), ''Slasher and Crasher!'' (1848), ''Your Life's in Danger'' (1848), ''Where There's a Will There's a Way'' (1849), ''A Most Unwarrantable Intrusion'' (1849) ''My Precious Betsy'' (1850), ''Sent to the Tower'' (1850), ''Grimshaw, Bagshaw, and Bradshaw'' (1851), ''The Woman I Adore!'' (1852), ''A Capital Match!'' (1852), ''Waiting for an Omnibus in the Lowther Arcade on a Rainy Day'' (1854), ''A Game of Romps'' (1855), ''How Stout You're Getting!'' (1855), ''The Rights and Wrongs of Women'' (1856), ''The Little Savage'' (1858), ''Wooing One's Wife'' (1861), ''Drawing Rooms, Second Floor, and Attics'' (1864), ''My Wife's Bonnet'' (1865) and ''A Day's Fishing'' (1869). Morton lived in Chertsey for many years.〔(Chertsey, Surrey, ) ''Literature Reference'', accessed 17 January 2011〕〔(1865, ) ''Newspaper Detectives'', accessed 17 January 2011〕 It was there that he wrote ''Box and Cox'' (1847), which ''The New York Times'' in 1891 called "the best farce of the nineteenth century".〔("Obituary: The Author of 'Box and Cox'" ), ''The New York Times'', 22 December 1891〕 ''Box and Cox'', was wildly successful, earning him about £7000, and was translated into many European languages. A musical version, ''Cox and Box'' (1867), was created by F. C. Burnand and Arthur Sullivan, but Morton received no royalties from it. However, it brought him a measure of fame as it is often revived by Gilbert and Sullivan fans, helping to make it his best known work. Sullivan's later collaborator W.S. Gilbert, made reference to the well-known Morton in his story, "My First Brief". Morton wrote several comic dramas in two acts, including ''Old Honesty'' (1848), ''All That Glitters Is Not Gold'' (1851), ''From Village to Court'' (1854), ''The Muleteer of Toledo, or King, Queen and Knave'' (1855), ''Our Wife, or The Rose of Amiens'' (1856), ''A Husband to Order'' (1859), ''She Would and He Wouldn't'' (1862), ''Woodcock's Little Game'' (1864) and ''Little Mother'' (1870). ''Our Wife'' was made into an 1883 operetta by John Philip Sousa called ''Désirée''. Many of Morton's pieces enjoyed great success and contributed to building up the reputations of leading comic actors such as John Buckstone (who was Box in the first representation of ''Box and Cox''), Henry Compton and the Keeleys. In 1873 Marion Terry made her first West End appearances in his plays, ''A Game of Romps'' and ''All That Glitters Is Not Gold'' at the Olympic Theatre. In Morton's last decades, the popularity of Victorian burlesque greatly diminished the market for farces. He fell on hard times and in 1881 became a Charterhouse pensioner. His last new play to be produced in his lifetime, at Toole's Theatre in 1885, was a three-act farcical comedy called ''Going It'', which kept the house in a continual roar of laughter. It was said of Morton that "The unlucky thing about him was that though he could write as well at 80 as at 30, he was left stranded high and dry by the receding wave of fashion."〔("Theatrical and Musical Notes" ), ''Otago Witness'', 17 Poutūterangi (March) 1892, p. 36.〕 He died at the Charterhouse on 19 December 1891 and was buried on the 23rd at Kensal Green Cemetery. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「John Maddison Morton」の詳細全文を読む スポンサード リンク
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